They’re weird and funny filmmakers. Together, this husband and wife team pulls together the craziest tales with the best actors. I relate to their films. In my fantasy world, I collaborate with them to turn The Minaverse into a hilarious screenplay, complete with funky visual comedy and sympathetic characters. And my chosen actor for Oso would be one they’ve cast repeatedly in their films (lucky): Jemaine Clement. This is, as I said, my fantasy. Another one is to actually have an audience who appreciates my book. But that’s another subject altogether.
From Napoleon Dynamite to Austenland, their weirdness knows no bounds except in the realm of morality. Yes, that’s right. They’re what writer Daniel Eness used to call the good weird. Their weirdness doesn’t rely on nakedness or gross sexuality such as incest, or whatever the current literary “exploration” is these days that wins kudos and awards from the hot-air establishment of films and books. I suppose this is because they’re Mormon by way of religion. I’ve long wondered why certain religious groups encourage a flourishing art community and others don’t; in the case of Mormons, they are generally an intact and monetarily well-off culture, which lends them the freedom to be creative. That’s my best guess, anyway.
Last weekend, I watched Austenland for the first time, which was Jerusha Hess’s directorial project. While it’s ultimately a standard romance plot, the concept of a Jane Austen theme park is bizarre, and it gets points for casting Jennifer Coolidge in a supporting comedic role as a modern-day Mrs. Malaprop. Coolidge plays the role perfectly. But it’s not just that. Jane Austen’s writing was inspired by the comedies of her day, which included plays like The Rivals (Mrs. Malaprop’s origin). The inclusion of a Malaprop character demonstrates the kind of intelligence found in Hess films; this film wasn’t just written by a fan of Mr. Darcy, but by people who understand the life and times of Austen. Before this starts sounding too much like an undergraduate essay, I’m going to cut it short. I mean, I wouldn’t be surprised if the film showed up in Jane Austen survey classes for undergrads to analyze. If I taught JA, I’d play it just so I could snigger at Coolidge before I had to listen to the students’ serious interpretations. This is, by the way, why I don’t teach. I don’t take life seriously enough. Because it’s weird. And there are people in the world who would go to a JA theme park. Just like in the film. People are weird, and this movie made me laugh.
Next up: I’m going to write a review of another great Hess film, Don Verdean.